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Wink An
inside-outsider’s guide to the recent cutting edge in lesbian smut,
Wink presents work by new media makers as well as work from past
MIX faves. Featured shorts explore the boundaries of sexual fantasy
and activity, including beautiful foreplay to a fisting scene, a
surprising exploration of anal delights, appliance fucking-by-sucking,
and queer S/M twists on Bollywood films. The clit-tickling variety
of moving images here requires no fast forwarding. Sponsored by Toys in Babeland. Fast forward to the post-screening party at Meow Mix, 269 East Houston Street at Suffolk Street. Toy giveaways... playing with ourselves • (Kat Pankam & Amber Horning, 2000, US, Super 8 to video, b&w, sound, 5 min.) An exploration of body ownership and primal self-fucking. Melt • (Cyndi Birkhead, 2000, US, video, color, sound, 5 min.) The story of an asshole and some ice cubes. Bed (Evie Leder, 1999, US, Super 8 to video, b&w, sound, 14 min.) Two women making love are juxtaposed with dreamy scenes of city life, contrasting public and private life. Electroluxury II (attachments) • • • (Teri Rice, 2000, US, video, sound, 3 min.) Sequel to Electroluxury, MIX ‘95, Big Daddy Rice cleans up her mediation on a high-suction sex toy with pretty porn aesthetic. Clamp • (Maïa Cybelle Carpenter, 2000, US, video, b&w, sound, 10 min.) Baby Blue Gangster performs a hot, auto-erotic S/M piece. Chingari Chumma (Stinging Kiss) • • • (Tejal Shah & Anuj Vaidya , 2000, US, video, color, sound, 8 min.) What happens when the hero doesn’t make it in time to save our heroine? It’s Not a Lie • • • (Liz Miller, 2000, US, video, color, sound, 5 min.) Sexy Dionysia Jones explores her own erotic fantasies in this steamy phone sex conversation with "Daddy." Manipulation (you’ve got pics) • • • (Teri Rice, 1999, US, video, sound, 3 min.) Images from the internet and the artist’s closet offer a satirical look at sex and cyber culture. Yes Daddy • • • (Julie Bogucki, 2000, US, video, color, sound, 15 min.) Daddy comes home to finds his little girl has been very, very bad. Vive la differAnce • (Pendra, 1999, Canada, video, color, sound, 4 min.) A feminist filmmaker acts as both the camerawoman and the object searching for the psychological origins of porn.
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