In
1989, Festival Co-Founders Jim Hubbard and Sarah Schulman recognized
a need for MIX to reach out to younger audiences outside New York
City who normally would not have the opportunity to see experimental
films and videos by and about lesbian and gay people. Their intention
was two-fold and has become the mission of the Collegiate Touring
Program since:
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To show lesbian and gay youth diverse images of themselves not
offered by mainstream media outlets
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To educate them on the importance of making these images.
Over the
years as we traveled to colleges nationwide, the response has been
overwhelmingly positive and has reaffirmed the initial need which
Jim and Sarah discovered over ten years ago: that young audiences
and artists are hungry for film/video work that expands the possibilities
of artistic creation and offers fresh perspectives on lesbian and
gay existence. While traditional Hollywood portrayals of lesbian and
gay life have developed over the years, they still often originate
from heterosexual perspectives. The films and videos that MIX present
involve more personal perspectives drawn from actual lived lesbian
and gay experience. We recognize that the need for these images outside
urban centers is much more acute than in New York.
Since
1988 MIX has traveled to many locations outside the New York City
area. Our first college visit were to Johns Hopkins University and
Harvard. Our Collegiate Touring Program has included stops in both
urban and rural centers, with the focus being on areas that do not
have regular access to lesbian and gay film and experimental media.
Institutions that have hosted, and in some cases host MIX screenings
annually include Bates College in Maine, Antioch College in Ohio,
Evergreen State College in Vermont, The University of California
at Santa Cruz, Princeton University in New Jersey and Macalester
College in Minnesota.
Collegiate
Tour screenings generally involve three or four programs of short
films, organized thematically. Hosting institutions are invited
to select programs from past MIX festival catalogs or to suggest
areas of particular interest to them. Our staff then organizes the
programs, arranges for all print delivery and works with at least
one visiting artist to travel to the campus and introduce their
work. By involving the artists directly and bringing them to national
audiences, we are able to serve both rural audiences and urban artists
who rarely have the opportunity to dialogue with young people who
approach their work with fresh perspectives. While our aim is to
reach out the young audiences, we find that filmmakers are very
eager to join in our presentations and wish that we were able to
provide more opportunities for this type of exposure. Screenings
always involve an introduction to the work and a question and answer
period. They are not organized like lectures however, for our goal
is create a more relaxed atmosphere; one where students can enjoy
(and possibly relate to) the images and stories presented rather
than analyzing the work in a strictly academic sense. Campus groups
often publicize the screenings as mini-festivals and coordinate
social activities around our visits.
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